In contrast to the grating synths and potent lyrics that colored most of his previous work, Tyler exhibited a relatively gentler side on Cherry Bomb, with its filtered guitar riffs and feel-good lyrics. His shift to an overall optimistic outlook is expressed through loud, abrasive production intentionally made to reflect a childlike sense of freedom and happiness.
Cherry Bomb was criticized for being too cheerful, braggadocios, and musically immature. However, Tyler was quick to rebuke these reviews, refusing to apologize for writing optimistic music that reflected his shift toward a more hopeful approach.
Tyler has also revealed that Cherry Bomb was his favorite though not necessarily his best album. Flower Boy In 10 words: Tyler bears all through clever, introspective lyricism and heartfelt vulnerability.
Here the king of clowning around sheds his bombastic persona for an exploration into his deep-seeded struggles. No matter how touching the album may be, Tyler remains a twisted storyteller. Visual album aesthetic: Bleach blond bowl cut, vibrant suits, sunglasses, gold chains, vintage sets, spontaneous dancing.
Igor displays Tyler at his best, brightest, and oddest. Tyler not only achieves this through an overall softer production style, but through a greater focus on singing. With Igor , Tyler remains true to his clever, chaotic nature while introducing new sounds and themes that both display his maturation and set the stage for succeeding eras to come.
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